Photographed for the UCM Department of Theatre & Dance
Under the direction of Jenise Cook, the UCM Department of Theatre & Dance, in partnership with the UCM Division of Music, delivered a heartfelt rendition of Menotti’s beloved one-act opera. Cook’s emphasis on themes of faith, compassion, community, and generosity anchored the production and these values shone through both narratively and in ensemble spirit.
The concept of featuring StoneLion Puppet Theatre, with guest artist Heather Lowenstein, elevated the storytelling. The custom-designed puppets added visual richness and storytelling depth, creating a rare fusion of opera and puppetry that UCM had not previously offered to its productions.
Musical & Vocal Performance
The collaboration between students and faculty, under musical director David Adams and orchestral direction by Dr. John Rutland, resulted in performances that were both technically solid and emotionally engaging. The UCM Symphony Orchestra provided lush accompanying textures, while young Amahl (Emily Turner) and his mother (Katie Brunkhorst) delivered notably expressive vocal performances. The Three Kings, Trae Selemaea (Kaspar), Quinn Allen (Balthazar), and John Plasencio (Melchior), brought warmth and clarity to their roles.
Puppetry & Visual Design
The puppets were a defining feature. Loewenstein and the StoneLion team wove these figures seamlessly into the production, creating enchanting visual storytelling moments that heightened emotional impact. Students, many exploring puppetry for the first time, embraced the challenge, resulting in authentic and fresh performances.
Scenery and costume design by Spencer Musser, Cassie Kay Hoppas (with Lucy Nutt), lighting by Wesley Freeman, and sound by Aleksandra Combs (with Amanda Dyck) combined to evoke a rustic, warm Bethlehem night. The aesthetic was minimalistic yet evocative, letting the action and music remain center stage.
Final Thoughts
UCM’s Amahl and the Night Visitors was a compelling blend of music, storytelling, and visual artistry. It succeeded not just as a holiday opera, but as a vibrant showcase of student talent, interdisciplinary collaboration, and creative ambition. This production stood out for its heart and inventiveness, a fine holiday highlight and a meaningful educational moment for the performers and audience alike.
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All photos © Andrew Mather | UCM Department of Theatre & Dance
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